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‘Deadpool & Wolverine’ To Tear Up The World With $360M Global Opening, Restoring Marvel Cinematic...
Deadline via Yahoo News UK· 5 days agoEXCLUSIVE: Marvel Studios/Disney’s Deadpool & Wolverine finally opens this weekend, not only further...
Videos Surface of Francis Ford Coppola Kissing Extras on ‘Megalopolis’ Set
The Hollywood Reporter· 2 days agoVideos from the set of Megalopolis have surfaced that see director Francis Ford Coppola kissing...
Leo Chaloukian, Emmy Award-Winning Sound Designer and Former TV Academy President, Dies at 97
Variety via Yahoo News UK· 4 days agoLeo Chaloukian, a multi-Emmy Award-winning sound designer and former chair of the Television...
Difficult, fearsome, aggressive: the Faye Dunaway documentary is unusually frank
The Guardian· 6 days agoFaye: The Many lives of Faye Dunaway, now streaming on Max in the US, is a refreshingly frank...
‘Faye’ Review: An Enticing Portrait of Faye Dunaway Looks at Where Acting Meets Life Meets...
Variety via Yahoo News UK· 7 days ago"Faye," directed by Laurent Bouzereau, is one of those story-of-a-star documentaries that make me...
Leo Chaloukian Dies: Emmy- & Oscar-Winning Sound Designer, Ex-Television Academy Chair Was 97
Deadline via Yahoo News UK· 4 days agoLeo Chaloukian, the multiple Emmy- and Oscar-winning sound designer, sound executive and former...
Sympathy for the Diva: Why We Love ‘Difficult’ Stars
New York Times· 4 days agoLike many in my generation, I first saw Dunaway in “Mommie Dearest,” the 1981 film — either a disaster or a masterpiece, depending on whom you ask and...
You See Rubble and Garbage. She Sees New York’s Next Great Park.
New York Times· 1 day agoThe area under the Brooklyn Bridge in Lower Manhattan is a forbidding swath of rubble and...
Leo Chaloukian, Emmy-Winning Sound Designer, Dies at 97
The Hollywood Reporter· 4 days agoLeo Chaloukian, the Emmy- and Oscar-winning sound designer and former chair of the Television...
Death Wish at 50: a reactionary and repugnant revenge thriller
The Guardian· 4 days agoIn one of his two broadsides against the low-budget thriller turned surprise blockbuster, the New York Times’ Vincent Canby branded it “a tackily made melodrama, but it so cannily orchestrates ...