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Shelley Duvall in ‘The Shining’: A Perfect Gothic Heroine Had a Deep Well of Strength
New York Times· 3 days agoIf Stanley Kubrick’s “The Shining” was a twist on the centuries-old Gothic horror genre, there was...
Thomas Hoepker, Who Captured an Indelible 9/11 Image, Dies at 88
New York Times· 19 hours agoOn the morning of Sept. 11, 2001, the photographer Thomas Hoepker was following the instincts of a...
Shelley Duvall, star of The Shining and Annie Hall, dies aged 75
The Guardian· 3 days agoDuvall died in her sleep of complications from diabetes at her home in Blanco, Texas, according to Dan Gilroy, who had been her life partner since 1989. Duvall made her name ...
From A-list actor to pop icon, we reveal which celebs make best pub landlords
The Irish Sun· 7 days agoThe TV star and Sun columnist, 64, revealed this week that he planned to “ban confusing pub signs”...
32 Great Actors Who Will Forever Be Remembered For One Role
CinemaBlend via Yahoo News UK· 2 days ago(Image credit: Warner...Garland – Dorothy, The Wizard of Oz The Wizard of Oz is a film that has...
Shelley Duvall: The Shining and Annie Hall actress dies at 75
BBC News· 3 days agoUS actress Shelley Duvall, known for films like The Shining, Annie Hall and Nashville, has died at...
2025 Oscars: Best Cinematography Predictions
Indiewire via Yahoo News UK· 3 days agoIt’s shot by French cinematographer...understanding of the detailed atmospherics of war that he could apply here. “I Saw the TV Glow” marks the latest...
The Shining actress Shelley Duvall dies at the age of 75
LADbible· 3 days agoThe Shining actress Shelley Duvall has passed away at the age of 75. Dan Gilroy, her life partner...
Penguin Random House to Acquire Boom! Studios
The Hollywood Reporter· 4 days agoFounded in 2005, the comic book publisher is behind Keanu Reeves' 'BRZRKR' comic book series and the forthcoming Prime Video spy show 'Butterfly.'
Longlegs review: Nicolas Cage’s bloated serial killer has fun inhorror hokum elevated to a fine art
The Irish Times· 3 days agoOsgood “Oz” Perkins’s fourth (and best) film as director begins and ends with references to 1970s...
